Undead

Though it is a commonly knowledge fact that Johnathan Maberry's "Rot and Ruin" series are the best YA zombie books out there, "Undead" by Kirsty McKay begs to differ.
     Life could not get worse for Bobby.  Not only was she forced to attend a class skiing trip with a class that hates her, a twist of fate leaves her sequestered in the school bus with the class bad boy, Smitty.  So, cue the teenage hormones and romance or the blood, guts, gore, maggots, carrot men, explosions, and . . . zombies? Joined by the pasty-faced albino nerd (Pete) and the head cheerleader (Alice aka Malice), the teenagers face down horrors such as surveillance cameras, vegetable juice, shrink-wrapped sandwiches, and the undead armed with ski equipment and their own ingenuity.  The only thing that would have been worse was if they'd gotten off the bus in the first place . .
.

I say that this is better than "Rot and Ruin" any day. No, I never did a review of "Rot and Ruin" though, yes, it is generally considered the best zombie book out there--every other zombie book gets compared to it. And, yes, Tom Imura might possibly be the most sympathetic zombie-hunter out there, but halfway through "Dust and Decay," the second book, I fell asleep. So, obviously, Tom Imura, his bratty little brother, that--girl-who-wants-revenge-but-was-basically-brought-along-for-kicks, the-kid-who-didn't-want-to-be-there-and-kept-getting-into-trouble, and the girl who was mysterious-and-oh-so-hot couldn't hold my interest for all that long.  (Oh, and I might have given away the whole plot line for the first two books.  Sorry.)
     Smitty, on the other hand, is very interesting. Possibly that could be because he is insane, unlike the Imuras who are reasonable and posses the power of forethought 50% of the time.  I highly doubt that Tom Imura would chop a zombie's head off with a snowboard.
      Anyway, and now I'll stop with the "Rot and Ruin" references, this book is my sort of book.  Plenty of guts and gore without the prominent and exaggerated battle scene towards the end, because the battle is all through out the book.  Also, there is plenty of inanity.  The whole plot is insane.  The characters are insane. The whole thing's fantastic.
      I did know what was causing people to rise again before the characters did, but that didn't ruin the plot too much.  I also figured out who was behind the whole thing, because it was a bit typical, but it didn't ruin any of the fun.  The last paragraph, though, has a twist that annoys me so much . . . My teeth clench up just thinking about it. Why do people do such things to me!?!
      My favorite character is Bobby.  At first, you get the sense that she's a reasonable heroine, the type you usually get. Yes, she is a reasonable heroine, I do agree with that, but her reasonable isn't what most people would consider reasonable. The things that seem practical to her wouldn't necessarily seem practical to me, or most normal people, in the same situation. She isn't like a lot of modern-day heroines, though, becoming despondent when something isn't working out her way (Miss Everdeen?  No, we weren't just talking about you, were we?). There is almost no one else I would rather be stuck in a truck stop with during the zombie apocalypse.
      Her supporting cast is also amazing.  Smitty, as I've already mentioned. A bad-boy to rival Ronan Lynch, (though Ronan would come out on top because Ronan's amazing).  Pete is an amazing nerd.  I classify myself among their number, and I feel that though he does not represent the majority he is definitely amazing, and that is the only word I have. What dude could not notice that they have a piece of metal shelving sticking out of his head?  His madness knows no bounds of genius.  And, of course, Alice, nicknamed Malice by Smitty.  A cheerleader with an attitude.  She's not your stereotypical ditz, but she does think she is better than the other characters.  Since they out number her 3:1, though, that does get interesting quickly.
      "Undead" came out in the United States this spring, I think.  I picked it up over the summer and read it twice within the space of a month and half, which says something to the quality because usually I have to wait six months before I can re-read something.  "Unfed," the sequal, just came out on this side of the pond, and I wanted to order it from England earlier, but my mother was taking too long so I'll probably just go over to Barnes and Noble this weekend and get it because seriously, I cannot live with not knowing what happens next any longer.  I'll pull all of my hair out of my head if I'm am forced into waiting.
       So, anyways, it's a comedy and a disaster and a train wreck that you can't stop watching.  Turn around.  Run away. Save yourself.  And beware carrots bearing gifts.

The Raven Boys

Maggie Stiefvater was excellent in the anthology "The Curiosities: A Collection of Stories," but I have been lax in reviewing her books, a mistake I will rectify by drawing your attention to the first in her new(ish) triology:   "The Raven Boys."
     
Blue's first love will die after she kisses him.  Gansey wills stop at nothing to find a sleeping, hidden Welsh king of ages past. Blue knows that Gansey will die before the year is out, and because she knows that she knows that she will be the one to kill him.  Gansey is a Raven Boy, an elite and privilege student in the local private school who can make you believe he has everything under control. In Blue's race to save Gansey's life, she may end up killing him.
        Never trust a Raven Boy.

I was not a fan of Maggie Stiefvater's "Shiver" series, because I do not really put up with books that are merely about romance for the sake of romance.  I did like her "Scorpio Races" which was much better, though there was a lot of romance in there, but it was just for the sake of romance.  There were also flesh-eating horses, which is always a bonus.  "The Raven Boys" is by far the best novel she's written, and though it has romance it's romance-y with the threat of death.  So, that's perfectly acceptable.
        Also, it has my favorite thing.  A cast of absolutely crazy characters.  Blue is the main character.  She's a pretty standard tough-girl female heroine, but not in a bad way.  She has her own personality and is not stereotypical at all.  At first, I thought because she didn't have any physic powers the main conflict in the book would be her attaining the powers that were meant to be hers, or something awful and perfectly predictable like that.  I am happy to report, though, that that is not the part of the book.  Throughout the book she remains normal, but also a cut ahead of standard.  Blue is, put simply, I character that I would like to be. Though, I guess I didn't read the description of her appearance close enough, because I never get why Noah says she has spiky hair.
       The Raven Boys are also fantastic.  Noah--we'll discuss Noah in a minute, but Noah is awesome.  Gansey is the ring-leader, who is arrogant, well-intentioned, determined, and hardly able to see past the tip of his own nose.  Metaphorically, of course. Adam is the shy guy who is equally, if not more, determined to make a place for himself in the world. And, of course Ronan Lynch is your bad boy. His father was killed in front of him, so he enjoys getting drunk and getting into fist fights, as well as feeding baby ravens at the crack of dawn.  The juxposition in his personality makes him one of my favorite characters.  Oh, and if you couldn't tell, he's Irish.  (I am too, so I find it amusing.)
      Now, onto Noah.  Since this is Maggie Stiefvater, you accept that you are in her sort of off-kilter world the moment you open the cover (the off-kilter part of the world being flesh eating horses and whacked-out werewolves).  So, one of the first things that Noah says--or, more specifically, is said about Noah in Noah's presence--is sort of strange.  But, hey, this is fiction, so you accept it. Then, about seventy-five pages from the end of the book, everyone all goes like 'Omigod! Noah's actually _______ !' but you're like 'uh, yes, I knew that when Declan first said that, dummies.'  Anyways.  That still doesn't stop Noah from being awesome.
       The plot of this book is pretty good, with enough twists to keep you occupied.  Some of the things I like are the fact that:
             1) A relaxed atmosphere is maintained for the better part of the book.  It's the calm before the storm.  And, maybe people do find out who their true selves are in the face of adversary  but occasionally you want to meet the people before you are thrust into their fight with their adversary   You get to see the personalities of Blue and the Raven Boys fully develop before everything begins to crumble into pieces.
             2) Everyone knows something's going to happen.  It's said multiple times by multiple people.  Occasionally in books it's like normal-normal-normal-normal-DISASTER!  That is a very annoying habit. Because disaster doesn't come on suddenly, you can see it brewing for a while off.  In this book, you can.  Even though it's calm, you can see the storm brewing on the horizon  and you can see that despite all of the build-up and wait, it's going to be one dang good storm.
          Though, sadly, I think I already know what Gansey is going to wish for when he finds the Welsh king. (You get one wish if you find the king. It's not like I'm giving everything away, because it's told to you almost straight off.)  I mean, if you think about it it's pretty obvious.  But, maybe there will be some devastating twist and it won't actually happen that way.  Or, maybe, it'll happen the way I think it will happen and it won't be half-bad because I'm secretly a sap at heart.
          Even if the ultimate ending appears to be a bit predictable, the ending is anything but, and it is fantastic.  Everything is evening out perfectly, coming together in a happy ending in sort of a creepy/sad way.  Happy endings are always nice when they aren't too sappy.  And then my one of my favorite characters says something spectacular.  One of the best things about that line is that it hardly makes any sense.  (You know that you have a good book when the last sentence hardly makes any sense whatsoever, yet you still want to know what it means.)
        And, on that note, I might tell you that the sequel is called "The Dream Thief" is coming out on September 17th (2013, in case you're a time traveler and you were wondering what year you are in), and from the looks of it it's going to be focused around one of my favorite characters, namely one who's bald and tattooed and failing out of school and evidently has a penchant for stealing dreams.
         What did I say?  Never trust a Raven Boy.

http://maggiestiefvater.com/  I haven't looked at it yet, but it looks like a pretty interesting website, which is always good, because usually book websites can be very, uh, dull.

Rotters

What does it mean to be dead?  "Rotters" by Daniel Kraus has the answer.

Secrets are best left buried next to the skeletons in the closet, but it's hard to keep them down there when the source of your livelihood is buried six feet under, locked in a wooden box, and nestled between the pale white ribs of the ones best left in the closet.  The order of the grave robbers is an old and ancient one that's gasping its final breaths when two unexpected things happen:  Joey's mother dies, and a colleague commits the worse sort of heresy possible.  There's beauty in death, if you're around it long enough, as pale and as cold as it is.  The trouble is, if you accept death as your love, you're halfway there yourself.  Joey's drowning in a sea of bones, rats, and lies that are older than he is because nothing will ever be as it seems when you're the Resurrectionist's son.

This is not a book about zombies.  This is not a book about romance. Well, there is love, but it's not romance, really. This is not a book about happiness.  In fact, Daniel Kraus makes Lemony Snicket look like a Care Bear. This is not a book that has any definable parameters.  This is not a book that one raves and gushes about, because in a way, it's too sacred for that.
       This book does not have any definable parameters because it is so many things.  At first, it seems like a realistic fiction book, in which a boy's mother dies and then he has to go live with his horrible father and go to a horrible school where everyone picks on him, including the teachers. For a while there, you think that he's going to do alright, get the girl of his dreams, rise up from his underdog status, and show those bullies their proper places, etc. like in a lot of other books.  Then, you realize that you still have 3/4's of the book to go, you haven't even figured out why the name of the book is 'Rotters,' and that there's a picture of a shovel sticking out of the dirt next to a tombstone on the cover.
       After you get out of the part where it's all a nightmarish high-school fantasy, it gets pretty twisted.  Excuse me, really twisted.  But, that is the most fantastic part about it. In the beginning it's pretty tame.  They rob graves, big whoop.  It's pretty interesting how Joey's interactions at school are directly influenced by his 'graveyard shift' (excuse me, I had to).  He is one of the most dynamic characters I've seen, and even as he steps away from being what fundamentally made him Joey in the beginning of the book and he stops being recognizably Joey, he is still Joey.  It's rare to find a character that changes so absolutely, completely, and believably over the course of one book.
      The high school drama also serves to anchor the book.  In the end of the book, when there is no more high school stuff and everything gets dramatically more weird, the book gets almost dreamy, because there's nothing there that you can really connect with.  Yet, it's better for that.  The book becomes more because true understanding of the real situation lies on the peripheral of your understanding.  It doesn't make any sense now, while you're reading this, but it makes a lot of sense while you're reading the book.  Which, I hope you do, because it's a fantastic book.
     The whole thing with the dudes chasing after the dad because he robbed the grave after he saw the rat king is a bit absurd, though.  If I saw an evil omen, I would've gone back to my house and sat there for a while and thought some before I jumped the gun and did.  It seemed completely out of everything we knew about the Resurrectionist's character.
      Speaking of character, the characters are very.  As you know by now, I like a decently sized cast of personable characters.  This book has two main characters--Joey, and his dad, though, I would suppose you'd be amiss if you didn't count Baby as a main character, so say you have three main characters--and really, only a few of them converse at a time.  Half of the characters in the book are repulsive, and the other half are reclusive.  They are personable,if personable means they have their quirks, but they are a very odd sort of personable.  None of them are loud or overly sarcastic, which is more my style, but most are quietly cynical. And then there are, of course, the few people who devote themselves to a cause with a whole-hearted passion, which I don't really understand, but I almost can, per the style of the writing.  The only person you really connect to is Joey, and the only one you really, really like is Ike or Joey's father's mentor.  Yeah.  But everyone's personality is fantastic, even if you hate them.  Each are their own person, and you forget that they are merely characters in a book.
       The world they live in is vivid, if not bright.  A good book will keep you anchored by not moving to new places every other page.  Many places in this book are revisited and reused, so it feels like you've actually been somewhere, not skimmed by it. That doesn't make any sense either. Excuse me.
      In this day and age, people are easily offended, so I'm going to tell you that there is a bit of a religious undertone.  He doesn't go to church, but there's a dude that comes around frequently telling him that his soul needs to be saved.  And then there the two-fingered Jesus.  I mean, I don't know what people's boundaries are, and I am an open-minded person who doesn't really get people's boundaries, so I thought I would just put that out there.
      And so, now to the ending.  All I'm going to say is that it is a pretty open-ended ending, one that's fantastic and creepy and mysterious and brings up more questions than it does answers.  It's the sort of ending that leads to a sequel, in most cases, but if anyone makes a sequel to this I will personally bring them to their grave because perfection should not be messed with, and, anyways, what could be a better resolution than that?  So, for once, I am pretty pleased with an ending. That must be some sort of momentous event, no?
        The question that this book is supposed to answer, as I posed up in the beginning--'what does it mean to be dead'--is never answered outright, but you're given enough information to form your own answer.  For me, I think that the moment you die is the moment you stop worrying about whether you're truly alive.

http://danielkraus.com/rotters.php  Watch the video by Vorvolakas (that's a band that plays a significant part in the book).  It's pretty creepy, once you get into.  And, I think they're chanting 'pain will not escape you,' or something of that kin, but I'm too sure.  His other books look pretty cool, too.

I am Number Four

"I am Number Four," by Pittacus Lore.

Three are dead.  He is Number Four.
Assuming the pseudonym John Smith, "Number Four" sets to settling in in his latest town, Paradise, Ohio.  Falling for the ex-cheerleader ex-girlfriend of the town's basketball star doesn't do much to his policy of staying invisible, and staying invisible is everything for the alien who's trying to stay under the radar of the murderous Mogadarians who killed his people and stripped his planet of resources.  If John can keep his newly developing powers a secret from the bloodthirsty killers, than their might be a chance that Lorien can be saved.  Mistakes come at every turn, though, and John's powers fly out of control.  It might be merely a matter of time before the Mogadarians find him, and mark their death total up to four . . .

I am not impressed with this story.  It's a typical Hollywood-blockbuster movie, but slowed down a bit, and shoved into a book.  Here look at this version of the summary:
             There is a mysterious alien male who may or may not have amazing powers that have the potential to save our world from terrifying alien invaders!  He also wants to restore his home planet back to it's former glory because it was ravaged by the same species of intergalactic menaces.  But, before his powers develop, he must blend in with the high school population to hide from the evil aliens.  While he is hiding in a small town, he meets the girl of his dreams and gets into a fight with her possessive ex-boyfriend.  When his powers finally show themselves, will our hero be able to escape the detection of the bad guys?  . . . No, probably not.  
       Well, where have we heard that before?  Oh, right in the trailer of the next alien-invasion movie.  Which, makes sense, because this book is also a movie.  But even the book is complete with pretty blonds, unlikely allies, and an aging mentor.  I'm sorry, I'm just not happy over here.  I  guess I just thought it was going to be some fantastic book, some earth-shattering new sci-fi book.  Instead, it's horribly cliched.
        It has all of the good elements of a fiction book:  A gigantic problem that's about to become a whole lot bigger if it doesn't get fixed soon, a hero that's (presumably) going to fix it, and a secret that the hero has to keep hidden from the rest of the world.  Yeah, sure.  We see that in nearly every contemporary young adult book.  It's a reliable formula, as well as a comforting one.
        And there's a unique twist to the problem:  The victims can only be killed in numerical order.  But that premise leaves several unanswered questions;  who decided the numerical order?  What exactly is a Lorien charm?  Who casted the thing, if you said that all of your Elders had fled the planet?  There is a lot of mystery in this book, questions that are left unanswered to create hype, but those questions aren't there to create hype, in my opinion, and just leave holes in the reason of the plot.
        And, dude, does the girl have to be blond?  Does the ex-boyfriend have to be a jock?  I thought that we were past this.  Oh, sure, it's standard in plenty of realistic fiction/romance books, but this is . . . I don't know.   I enjoy stories.  Isn't that evident on what I choose to write my blog?  This is a pretty good story.  It has an intriguing back-story, and a wonderful premise to it.  But, I don't know, and I know I've said that before, but . . .  I would've done something different, if I had been writing it.
       Maybe part of the problem was that I couldn't find anyone in this book to relate to.  John was a bit bull-headed, Sarah was a bit of a ditz, Sam was too nerdy and unsocial . . . I probably could've connected with Henri, if given half the chance, but I wasn't.  He's always the enemy in John's eyes, the over-protective parent, etc.  But he's the only one with any sense!
      Also, I just couldn't buy into Mogadaria and Loria, or whatever the planets were called.  Those places, no matter how many times they described them or went over their history, there was never any chance that they might've, could've, possibly, maybe been real, that feeling you get when you read a really good book, and you know that that place could really be out there, no matter how implausible.
       So, Mr. Four, I wish you luck in saving your planet.  But with all your sterotypes, I doubt that you'll be able to save your literary audience from despair.

For more information (not much more, but . . .) the website is http://iamnumberfour.com/

The Chronicles of Vladimir Tod

The Cronicles of Vladimir Tod by Heather Brewer is a rumination on what it would be like for a vampire to try to blend in with  mainstream students.
      Vlad Tod is not your average teenager.  He's unpopular and bullied, but he's friends with the most popular and well-liked guy in the school.  He likes one of the prettiest girls at school, but he can't figure out if she likes him back.  He's a vampire, but he tries to act human.  Life is full of ups and downs as he completes middle school and goes on to Bathory High School, ups but mainly downs that include trying to find out why his parents really died, who killed his English teacher, a boy who is determined to prove to the world that Vlad really is a vampire, fighting one of his best friends to the death, his growing need for fresh blood, an insane vampire who keeps trying to kill him or steal his blood (it varies from book to book), and trying to figure out the legend of the Pravus.  It seems that the more questions Vlad asks the more answers he needs, and the greater the lengths people will go to to keep him from finding out the truth.  When his home and life gets ripped apart, and Bathory seems close to drowning in the blood of its townspeople, he has to cast aside what he thought he knew about the person he trusted the most in this world and make a choice that will tear him apart.  Being a vampire really does bite.

Vlad Tod is medicine for the Twilight-sickened soul.  The books offer a great insight into a teenage boy's mind, and the view of a vampire that you'd never thought of before.  Yeah, sure, we all know that they're bloodthirsty creatures of the night, but what happens when they're forced out of their nocturnal habits?  Sleeping in class, of course.  And how do they get their blood fix?  Blood packets in Hostess cakes.
       The ultimate villain, the one that betrays Vlad at the end, confuses me.  I can't criticize it more without giving anything away, but it just doesn't make sense.  His reasons for doing as he did are lame, and I feel justified in calling the person who should've seen through them but didn't an airhead.  Of course, this is in retrospect, but . . . Also, I have complaints in the romance department.  I don't like Meridith.  Even from the beginning, I didn't like her.  I mean, she's a blond and he's a vampire.  She wears pink and he wears black.  Tell me how that was supposed to work out?  Let Joss have 'er.  I like the other girl much better . . .  She's awesome.  I imagine her wearing, like, six-inch black leather platform boots, for some reason, and I wonder if her name is derived from that Hot Chili Peppers song. 
        The writing style is very good.  Eight Grade Bites was Heather Brewer's first book, and it was surprisingly well done.  The boys are regular comedians, and even though there are some parts that are of no consequence, that add nothing to the plot line, they don't subtract from the overall storyline.  But be on the look out for small details . . .  they might mean something later on in the book, or even later on in the series.  It's all fast paced, though, and a quick read (I finished the first book, 110 pages of it, in a half an hour), but you're hooked to the very end.  Even at the end of Twelfth Grade Kills you're left wondering what's next?.  Hopefully her next series, The Slayer Chronicles, will help sort that out. 
         The books come in the order of Eight Grade Bites, Ninth Grade Slays, Tenth Grade Bleeds, Eleventh Grade Burns, and Twelfth Grade Kills.

This is the URL for the website if you're interested in looking into it a bit more:   http://www.vladtod.com/#/news