Clockwork Princess

"Clockwork Princess," by Cassandra Clare, is the third and final book in the 'Infernal Devices' trilogy.  If you haven't read the first two books in the series, then I would advise that you not read this, as to not spoil them for yourself.
         Mortmain is almost a thought of the past in the London Institute, with Tessa and Jem busy preparing for their wedding and Will's younger sister, Cecily, recently installed into the household.  Then Gabriel Lightwood comes, pounding on the doors of the Institute, with the news that his father has succumbed to the deadly Demon Pox.  London's supply of Yin Fen, the drug that prolongs the life of people who have contracted Demon Pox, has run out.  Jem, who must also take the drug, is days away from death when the message comes that Mortmain will give the London shadow hunters all the Yin Fen that they want, if only they give him Tessa Gray.  The fight comes to the Institute's own front stoop, and the Shadowhunters are forced to reevaluate everything they know, lest they too fall to the Infernal Devices.

I did not like the ending of this book. What ending do I like?  There are only a few perfect endings in the world, and I'll just have to accept that conclusion.  Sadly, this book is not one of the better endings, though the ending is halfway decent, I'll give it that.  But I hate how everyone has to have their cake and eat it too.  I won't say more than that, lest I spoil anything.  Still, though.  Some people have to go home unhappy at the end of the day, don't they?  -- not saying any more--
       I wish that Tessa was more of a spunky heroine.  She's more of a . . . background character, though, even if the whole book is supposed to center around her.  She's more obsessed with her boys then with getting out of . . . wherever she was.  A bit like in the first book, "Clockwork Angel."  Come on, Tessa!  I thought that we had been making progress in "Clockwork Prince!"  But, noooo, Tessa Gray must be some deranged princess.  She does three great acts throughout the whole books, three great acts that show she has a strong spine, and a fourth that isn't so great but, still, it's definitive. But, her strength is not apparent in her speech, and she is described as 'bookish.'  Uh, I can see Tessa as so much more than that.  It's a shame that her full potential isn't realized.
        Jem Carstairs is a bit better.  He's made his decision of how he's going to live his life, illness or not, and he sticks to that, which is admirable.  He does sort of . . . I won't say anything.  I've just never liked his character that much (I prefer Will).  Jem was always a bit of a wallflower, until he decided that he was going to marry Tessa and then boom, now he's his own person.  He hardly talked to Tessa before he decided he was going to marry her!  In my opinion, at least.  So, I never 'knew' him as well as I would have liked to.  And I won't say anything else here, because I could rant for a good while and give away everything.
       Will Herondale is the real break-out character here.  Before this book, you see him as a good man in the throes of a curse that will ruin his life until his dying day.  Here, Magnus has finally told him he's free of the curse and he's free to live his life as he pleases.  Then Jem and Tessa lay it on him that they're getting married, oops, Will, here's your dreams, let's stick 'em to ya.  In this book, he's dealing with his loyalty to both of them, as well as his loyalty to himself.  His inner turmoil is fantastically done.  You can feel what he's feeling with a rare acuteness, and that's a treat, even if most of what he's feeling is self-loathing.
       The Lightwood brothers also become more prominent in this book, which is good in its own way, but it takes away from the drama surrounding the main three characters.  The time that's spent focusing on Gideon and Gabriel is time that we are not focusing on Tessa.  Also, I had trouble remembering which was the older brother (it's Gideon) because both have the same first letter in their name.
       There are some happy parts where the unexpected happens.  Not that that is a happy thing, because the unexpected is usually not so pretty, but it is good all of the same.  Not everyone has to have a happy ending, and that's a lesson we all need to learn in life.  There are also some mushy parts--namely one--which is annoying, because they're just about to fight demons and stuff.  But, Magnus handles it gamely. (Magnus is, like, the most awesome person in both of the Shadowhunter series.)
       The conflicts in these books are always pretty weird, though.  It's all physiological until the last fifty or so pages, and then some big physical conflict happens.  You know what I'm trying to say?  It's almost as though the story arc has been modified to include some gigantic final battle between the two sides, while the rest of the story is entirely about the manipulation of the mind.  And it has some pretty good manipulation.  Cassandra Clare is, as always, very, very good at portraying human emotion in impossible situations.  
       One of the coolest thing about these book are the crossovers between the stories.  Between the two Shadowhunter series, there are some objects and people that are the same (hint, hint, Isabelle's locket, Church the cat) and it's cool to get their origin stories.  The families that participate in both dramas are the same (So, Clary, it isn't your fault--it's genetic), and you get to see what the 'Mortal Instrument' character's great-grandparents were like.  If you get the hardcover book, the paper covering of the books comes off to become a family tree of the Fairchilds, Lightwoods, and Herondales spanning from the 1800s to 2008.
       As mentioned, this is the third book in the 'Infernal Devicies' triology, with the first two books being 'Clockwork Angel' and 'Clockwork Prince,' respectively. I think that 'Clockwork Prince' was my favorite of the three, with 'Clockwork Angel' and 'Clockwork Princess' tied for third.  And, let me tell you, the name 'Clockwork Princess' is a misnomer.  Technically, it's a metaphor, referring to something Mortmain said in the second book.
       Some things are a little too convenient, and other things are a little too perfect, but as always, Cassandra Clare is adept at capturing the tangled webs of human (or warlock, or Shadowhunter) emotion, making 'Clockwork Princess' a tale that's a little too good.  The cast peddles in humor and misery equally, facing an inhuman army with the pure definition of humanity.
        In our world, in our time, everything goes on as planned, but in the London of the 1800s, the Shadowhunters fight their final fight.  THE INFERNAL DEVICES ARE WITHOUT PITY.  MAY GOD HAVE MERCY ON THEIR SOULS.

The url to the Infernal Devices website is this:  http://www.shadowhunters.com/theinfernaldevices/index.php
Though not as extensive as the Mortal Instruments sight, this one does have some pretty decent 'extras,' including a 'Clockwork Princess' countdown widget, which went into negative numbers 10 days, 9 hours, 48 a minutes, and 47 seconds ago.  I got the picture above from the site (I can't draw that well).  

The Mortal Instruments Trilogy

"The Mortal Instruments Trilogy" by Cassandra Clare is comprised of five books but only the first three are worth mentioning:

        City of Bones:  Clary Fray was in the night club Pandemonium when she watched three teenagers dispose of another being.  Now Clary's mother has been taken prisoner by a strange beast and she's found out that her mother has been having her memories erased by a warlock who lives in TriBeCa.  What?  Secrets and dreams are coming apart at the seams, and Clary's having trouble standing on her own two feet when a mysterious group called the Shadowhunters (prickly, pretty Isabelle; prickly and shy Alec; and prickly, egotistical and f-i-n-e Jace) come to help her fight the demons that are creeping up on all sides.

      City of Ashes:  Bodies of Downworlder children, drained with blood, have been found in dark, abandoned alleyways.  Idris and the Clave, the land and government of the Shadowhunters, has decided that its time to get involved, but it would be better if our heroes were left to their own devices because what they'll have to do to save the day won't be sanctioned by any book of regulations.  Clary's trapped in her own personal nightmare when she finds that she has more of a family than she ever could hope for -- if only her new-found familial ties didn't include him.  

      City of Glass:   Keep your friends close, your enemies closer, and your family closest of all, because if their hands are in yours they can't stab you in the back.  Breaking several laws, Clary breaks into Idris, the land of the Shadowhunters, enraging the highest magical law on this world or any other.  While hiding out from them in their own country, Clary finds several secrets that she never thought even existed.  But time's running out if she's to stop her own flesh and blood from destroying all she's come to love.  

Let me tell you, these books are wicked.  Yeah, sure, there might be a bit too much romance in some places, but the demon fighting it pretty awesome.  And the psychology behind it all!  It's really quite astounding.  The other two books in this 'Trilogy' (should it be called a 'quintet'?  because, clearly, there are five books) are worth nothing because a) they are simply ridiculous (Just how many times can a person come back from the dead?  Cassandra Clare's got a bit of James Patterson in her.) and b) we get it.  Clary has a boyfriend.  Thank you.  You can stop illustrating your point for us now.

       I really liked the diversity of the characters in this.  Simon, Clary's best friend, is the source of a good chunk of the problems for the group, but, generally, he's a good natured guy and I admire him for that.  He is also a voice of stability and reason among all of the craziness and magic, which is always good in a book like this that can get caught up in the thrill of its own mystique.  Jace is an egotistical maniac, and I think that it's been established that I have a soft spot for that sort.  Isabelle is the ultimate femine fatal, complete with a miniskirt and a sword.  Alec is a lost and a little needy, almost, until he realizes who he is and how he (and him telling the world who he is is one of the most fantastic moments in the whole trilogy). Magnus Bane is a riot, but his majesty is sort of kept under wraps for fear of throwing the whole story overboard.  Clary is the perfect contemporary fiction heroine, with her cell phone and subway map.  Not exactly the cast of 'Spud,' but pretty darn close.

      The villain of the series, Valentine, is intensely complicated, but that doesn't make him seem any more human.  One thing that I don't like about villains in general (like I have only one thing to complain about) is that they're larger than life, and that keeps them from being human.  We can connect with the main characters, the protagonists, but we never feel what the bad guy is feeling.  This is a technique used to make us hate the villain, which is necessary for the story to work, but it still can be sort of . . . impersonal.  How can I hate Valentine if I don't even know the person he is?  You have to just accept that the bad guy is a bad guy and move on in this story.  

      A strong point of this story, other than the wonderful cast of protagonists, is the setting.  Modern New York City with an underbelly full of demons.  To fight the demons, there is a system of police called 'Shadowhunters' run mainly by teenagers because they're the only ones who haven't died yet.  In between the two groups are the 'Downworlders';  werewolves, vampires, Faeries, and other miscellaneous half-demon scum.  It is fantastic.  

      The books, even though they talk about killing demons and your own family members preach about accepting people.  The Shadowhunters hate the Downworlders because the Shadowhunters are part angel and the Downworlders are part demon.  But to win, they must join together.  It's a nice sentiment.

     Final messages:  The books are messed up.  Messed up messed up.  Like, 'oh, is this my brother I'm kissing?!' messed up.  So . . . The books also have a quite bit of religion in them.  Magnus quotes the Bible, at one point, and the whole thing of angels vs. demons is religious, though the demons come from different dimensions, not from deep down under.  Also, Alec is gay.  I, personally, find that pretty awesome because it shows his inner strength and conveys a new way of someone being who they know they are.  

      "The City of Bones" is a movie that comes out on August 23, 2013.  The complete series is, in the order as listed, "The City of Bones," "The City of Ashes," "The City of Glass," "The City of Fallen Angels," and "The City of Lost Souls."  So. The last two books do have their own charms, by the way of you getting to see a side of the characters you didn't get to see in the other three books, but they are so not the best.  Especially not "The City of Fallen Angels."  Just sayin'.  

      Is it fine to tell a white lie for the safety and well being of a person that you love?  But when the lies collapse, the person you lied for might not be as well off as intended.  

This link is better than most book links:  www.mortalintruments.com  The illustrations of the characters are lame, though.  None of the people look like that, I swear.  

This is the link to the movie trailer, which I watch at least once a day: http://www.imdb.com/title/tt1538403/   My favorite part is when Clary says "There's too many of them!"  and Jace says "Have a little faith," because Jace is so full of himself, it's rather amusing.  This is the cast list to the movie, which is cool; http://www.imdb.com/title/tt1538403/fullcredits    Magnus is awesome.  

Steampunk! An Anthology of Fantastically Rich and Strange Stories.

Steampunk!  An Anthology of Fantastically Rich and Strange Stories was cobbled together by Kelly Link and Gavin J. Grant, with contributions from M.T. Anderson, Holly Black, Libba Bray, Cassandra Clare, Shawn Cheng, Cory Doctorow, Dylan Horrocks, Kathleen Jennings, Elizabeth Knox, Kelly Link, Garth Nix, Christopher Rowe, Delia Sherman, and Ysabeau S. Wilce.
     Fourteen short stories that fall under the category of steampunk that delight and entrance.  From automatons who can love, to 'summer people' who make wonderful things out of cogs and scrap bits of metal, to a boy who wants to travel the United States in his own, private car these stories take you past the basic definition of steampunk, showing you what machines can do to the human soul:  they can free it or destroy it, sometimes both at the same time.

It was the title that got me. Well, actually, the call letters which, in my library, are YASTEAMPUN.  I had to take it off the shelf after I saw that.  And I am so, so glad I did.
    There are a few authors and their stories I want to point out:
    Holly Black is my idol, and her story "Everything Amiable and Obliging" is a great example of why. It brings up the age old question, and the one that would eventually follow:  Can machines really love?  And how would we deal with them if they could? 
     Libba Bray's "Last Ride of the Glory Girls" was also different.  Sort of creepy, but then again, most of the stuff of hers that I've read is. 
       "Some Fortunate Future Day" by Cassandra Clare provoked a reaction of extreme disgust and another of extreme morbid fascination at the same time.  Who in their right mind would do that? 
      I did not like "Seven Days Beset by Demons" by Shawn Cheng.  It is a short story written in graphic form, and I didn't like it because, well, I was just disgusted by the character, frankly. I think that was the point of the whole thing, but I don't like stories in which I despise the characters so much I don't want to read the story.  Thankfully it was only fourteen pages.
      Kelly Link put in "The Summer People" which was wonderfully haunting as well.  My three loves in fantasy are steampunk, Faerie, and endings that leave you slightly off kilter.  Kelly Link has hit all three. 
      I could comment on all of the stories, but I'll do just two more:  Christopher Rowe's "Nowhere Fast" came with mixed messages.  Which is more important:  Our planet or the open road?  And Garth Nix's "Peace in Our Time" was wonderfully demented. 
      Really, this anthology is a treasure, in my opinion.  First off, each story looks at steampunk in a different way.  It wasn't all about cogs and gears, steam and the Victorian Era.  There were plenty of stories with no visible clogs or gears, stories with electricity and modern times.  Plenty of characters who had their own dreams, their own lives, their own hates. 
     Sure, it was pretty stereotypical that nearly every main character in the stories aspired to be an engineer, but I guess that's the whole thing about machines:  you have to be an engineer to work them. 
     Truth to be told, I'm going to be wanting some books made out of these stories.  What happened to the Glory Girls?  Did Luz ever get to surf in California?  Did Fran ever go back and rescue Ophelia?  How will it work out for Amelia and Nicholas?  Will Rocket Boy ever get to see Mars?  Will Rose ever get to the Capital?  I want to know all the answers, and sadly, I don't think I'll ever get to.  It's worth dreaming about it, anyways.  The dreams in this book should be enough to sustain me for a while, though, and I'll feed off them like they're azoth.  (Reference to the book:  I'm not out of my mind and just randomly making up words, thank you very much.)